

Yesterday I had visited a pizza restaurant which specialised in perhaps the best pizzas in Christchurch with a good fast service.
They had changed their recipe of success to attempt to go slightly more upmarket, and no longer could you order at the counter, but you sat at a table and placed your order with a waitress. So what started out as as something you could go in and get a good meal in a hurry, to one that you could get a good meal slowly.
I wonder if they had ever looked at what their differential advantage was!
I wonder if they had ever looked at why people came to them, over going anywhere else.
It also reminded me of many photographers that I've met over the years that have started off with humble beginnings, have produced good simple work, fast, and a good simple price (cheap), and had then decided to upgrade their images, either from their existing premises, or from one close to their existing premises, and somehow they visualise that the prospective clients will pay two to three times the price of their cheap price at the other studio, with the only thing that has changed is the premises.
The photographer does not even dressed up in a suit when he photographs in his Deluxe's Studio and then he wonders why the well-heeled customers he is hoping to attract don't flocked to him in droves.
It is the same reason why then Austin produced a car built like a Rolls-Royce, with all of the Rolls-Royce features it bombed dramatically because nobody could believe that Austin could produce a high-priced car.
So if you don't like where you are in your business and you would like to go upmarket, you can, but it will not be easy.
There are two ways you can do this,
1. one could perhaps be a simple way, sell your business,
moved to another town and buy a more upmarket business,
but you'll have to still do many of the things I mention
in choice two
2. a. The other option is
to upgrade your existing business to a Deluxe studio and
the by upgrading your product and your price.
b. First you must learn to produce work that
is of a much higher standard than what you are currently
producing right from the photography through to the final
product. Now maybe the De Luxe finish you may not be be
able to use at the beginning but you must have all of
this planned and ready to drop into action at the appropriate
time.
c. You must upgrade your premises from a basic
studio to one that is in appearance very expensive and
very exclusive, perhaps you may even have to make arrangements
for new larger premises.
d. Now it is time for your own upgrade, you
must decide on what sort of expensive look you're going
to achieve. Perhaps to get assistance in this you may
have to rely on your wife, or perhaps a clothing stylist.
Now I do not suggest you have to go to a top hat and bow
tie, but I do suggest that your clothing has got to spell
money.
e. Now there's no use doing all of these things,
and driving round in a 1939 Ford prefect, perhaps a 1939
Rolls-Royce would be okay if you want an old car, but
a sports car of the Porsche, Ferrari, BMW, Mercedes stables
will complete the picture.
f. Now once you have all of these things ready
to roll, perhaps now it is time to do a series of high-class
photographs of all the prominent people in town. These
will all be done on an invitational basis, with no attempt
to try to make a sale.
g. Okay, your new studio is ready to open, you have a new
image ready to put on in your wardrobe, you have your
new car in your Garage, your new style of photography
is ready to be launched with all of your high-class invitation
portraits, your expensive print finishing and your new
price lists, business cards, letterheads and everything
else has been produced. Now and only now are you ready
to launch your Deluxe studio.
h. At this point you send an invitation out
to all of the prominent people in town for a grand opening
to view the prominent people of your town. If you have
been smart, amongst these prominent people will be the
newspaper editor, the prominent radio announcer, television
frontperson, members of Parliament, councillors, all the
service club presidents, it would be good to have 50 to
a 100 portraits for exhibition. Now at this point you
may ask "where am I going to get the money"
well who said success was easy! If it was easy "everybody
would be a success"! It will be substantially less
money than if you were to buy a successful studio at this
new level, which it is your other alternative and this
new studio still may not be the way you would design it
and that means more money.
i. You will telephone each one of the prominent
people and ask them how many invitations would they like
for the grand opening of your new studio and the unveiling
of their portraits.
j. At the opening you will spare no expense
on food or wine, you are building a first-class new studio,
so the food and wine must be first class. You cannot serve
McDonald hamburgers and Diet Coke.
k. Have the opening of your new studio done
by the most prominent person you can find, the Governor
General, Prime Minister, Leader of the opposition, and
so on down the list until you get somebody that will do
the job, of course there must be a portrait of them as
well.
l. You will have a well-dressed documentary
photographer to record the whole opening, to photograph
you with the prominent people in front of their portrait,
from which you will produce a framed photograph with the
signwriting on it saying " Lord George Smith with
Shota Photo on the occasion of the opening of Le Shota
Portrait Studio"
m. Now you have your new portrait studio, your
new image, your new wheels, your new price list, but if
you're not careful the people of your town will remember
the old image. This means that new image, (you're new
clothes) must be worn at all times. If you must go to
the rubbish tip, go in your Porsche, and your new clothes,
to unload the trailer load of rubbish. Then people that
had known you in your old image will say " Hell I
saw Shota at the tip dressed up in his Porsche, with a
trailer attached". Who said success was easy? You
have a new image and that image must be on show at all
times for people to believe that the image is true and not just fancy dress.
n. Naturally you have determined that your
town and its area can support the class of studio that
you have designed, and naturally you will have produced
a marketing plan that will allow you to be as busy as
you require to achieve the income you require. It is not
as simple as I have laid out, and will be a lot of other
things you have to do, but this is merely the first draft
of a comprehensive plan that you will need to produce
if you wish to go on this route.
Good luck with whatever level of photography you wish to pursue and I wish you well
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